If that seems like a lot to unpack, that’s because it is. By Aniston’s own admission, her role on Morning Wars is her most complex to date. She plays Alex Levy, the ambitious co-host of a television news program who confronts the sexism, ageism and other “isms” foisted onto her by a troubled male co-host (Steve Carell), her network’s male executives, and, in some respects, herself. “Alex’s sell-by date expired long ago, and she’s trying to stay relevant,” says Aniston, whose research included going behind the scenes at Good Morning America at 5am to get a sense of the matrix.
Remarkably, the Aniston-Witherspoon pitch meeting occurred before #MeToo revelations rocked the entertainment industry. “The show was always about the abuse of power, and women and sexism. We sold it in the summer, and then Harvey [Weinstein] happened in the fall,” Aniston says. The allegations against CBS This Morning anchor Charlie Rose and the Today show’s Matt Lauer came next. “[We] were like…‘The show is writing itself.’ It was as if the universe were begging for this patriarchal society to be exposed. It’s crazy.”
Aniston hopes that the show, which delves into the grey areas of #MeToo, will also inspire deeper conversation about the norms of the workplace. And the dialogue should not just be limited to men either. The reckoning affects all of us. “There’s a new playbook that’s being written in real time, and this show looks at how we’re finally taking steps to acknowledge and dismantle the old, dysfunctional ways of doing business so we can level the playing field.”
The role of Alex is made all the more interesting given Aniston’s most recent milestone. This past February she turned 50, an age that was once a career killer for even the biggest female stars. (Can you imagine banishing Aniston—or other 1969 babies including Gwen Stefani, Cate Blanchett, Ellen Pompeo and Jennifer Lopez—just because of a birthday?)
“Fifty was the first time I thought, ‘Well, that number,’” Aniston says. “I don’t know what it is because I don’t feel any different. Things aren’t shutting down in any way. I feel physically incredible. So it’s weird that it’s all of a sudden getting telegraphed in a way that’s like, ‘You look amazing for your age.’ I think we need to establish some etiquette around that dialogue and verbiage.”
Aniston admits that, if anything, she feels more in control than ever. “Women were never allowed to have power,” she says bluntly. “Power feels sexy to me today, as does women’s intelligence and how capable and creative they are.”
Not surprisingly, the Morning Wars crew has many cool ladies both in front of and behind the camera. “There are a lot of women running this show,” Aniston says of the team, “and it moves really smoothly.” They include showrunner Kerry Ehrin and trailblazing director Mimi Leder. Still, the shift to Apple TV+ was an adjustment for Aniston. Friends, which debuted 25 years ago in September, was a breeze in comparison. “To me, a TV series used to mean a studio audience and five cameras. I got in at 10 and was out by five,” she recalls. “[Morning Wars] was like doing two films back-to-back over seven months. After a full day of shooting, I’d go home and keep working, looking at cuts, weighing in on casting for the next week, preparing for the next day’s work. When the show wrapped, I crawled into my bed for a solid week.”
Pushing herself out of her comfort zone wouldn’t have been possible without the help of Aniston’s loyal and supportive assistants, glam squad and fashion aides, all of whom have been with her for 10 years or more. In shaping her character’s look, she brought in her secret weapons: twin-sister stylists Nina and Clare Hallworth. “We went with beautifully tailored men’s fabrics in shades of grey, blue and brown. It was a conscious decision not to be in canary yellow or fuchsia or cobalt blue,” Aniston says. Her inspiration for Alex? None other than Diane Sawyer, the legendary TV journalist renowned for her skills and style. Aniston sighs just thinking about the icon. “I’ve known Diane for years, and I had the joy of getting to pick her brain when I was doing research for the show. Diane’s always been so elegant and classy.”
The Hallworths have an undeniable eye, having dressed Aniston in many a show-stopping dress. Among her favourites are the custom Schiaparelli Haute Couture gown that she wore to the 2018 Golden Globes and a sequined cocktail frock by Stella McCartney that she wore to the premiere of her Netflix film Dumplin’. It’s no secret that Aniston gravitates towards black for the red carpet. It’s also her preferred hue for her T-shirts, jeans and wedge heels. She’s a queen of consistency, whether she’s choosing her clothes or who’s in her inner circle. “Some people would call that playing it safe,” she says. “But I know when I’m comfortable with something (or someone), and I know when I’m not.”
Until recently, the Hallworth sisters’ Instagram account was one of the few places you’d glimpse Aniston, thanks to her self-professed aversion to social media. (Although she has admitted she was on the platform for a while under a private pseudonym.) That all changed with a cataclysmic bang on October 15, when Aniston posted her first public photo, and stole the Guinness World Record for fastest one million followers (five hours and 16 minutes) from Prince Harry and Meghan Markle. By the end of her first day, she’d amassed more than 10 million followers, temporarily crashing the global app in the process. At the time of this magazine going to print, she had passed 20 million.
Could Aniston have imagined so many eyes on her as a kid? The short answer is no, but by the time she was 25, Friends had thrust her into the spotlight, where she has remained ever since. “I was such a grown-up by then,” she says, shaking her head. “I had moved away from home. I had been on six failed television shows. I waitressed for years in New York before I got anything. And I was a telemarketer selling time-shares in the Poconos [Pennsylvania]. I didn’t make one sale. I was terrible at it. I was like, ‘Why do we have to call people at dinnertime?’”
Other odd jobs: “I cut hair for 10 bucks a head in junior high. I could probably cut your hair,” she says. Her long-time hairstylist, Chris McMillan, her “brother from another mother” who created the “Rachel style” for her in the ’90s, might disagree. See also: her father, the actor John Aniston. “I cut my dad’s hair, and he was on a soap opera [Days of Our Lives]. But then he admitted to me 15 years ago that he would go in and have the hairdresser on set clean it up.”
Speaking of hair, I mention I couldn’t help but notice that her character Alex had perfectly highlighted tresses while Carell’s coif was fully grey. Women might have more power today, but they still often choose to colour their hair. Aniston confides that she plans to keep her monthly colourist appointments until the bitter end. “I’m not gonna lie—I don’t want grey hair,” she says.
Skincare, however, is her real obsession. “I think it’s because my mum told me to start moisturising when I turned 15,” she says. “I’ve been using Aveeno since I was a teenager.” (And, in a lovely kismet twist, she became the face of the Aveeno brand in 2013.) Aniston is a facial aficionado and rattles off the names of her go-to pros: Georgia Louise in New York, Lupita at Mila Moursi in Beverly Hills, Joanna Czech in Dallas and New York, and Melanie Simon in Montecito, California. She also swears by her daily glass of celery juice and E3Live superfood supplements, as well as a series of complexion-friendly tools, such as the vibrating 24-carat-gold sculpting bar from her friend, make-up artist Jillian Dempsey. “It feels so damn good to put oil on your face and just roll,” she says.
One of Aniston’s beauty regrets is not using sunscreen when she was younger, but she hopes her good genes will prevail. “My grandmother, at 98, had the most stunningly soft, gorgeous skin, and she would just put olive oil on her body.” Would she like to live as long? “I am all about living to whatever age I’m supposed to. As long as I’m thriving.”
When you think about the arc of Aniston’s career, she is gaining momentum rather than slowing down. So, yes, thriving seems to be a pretty apt descriptor. With season one of Morning Wars completed and Apple committed to a second season, even Aniston is allowing herself to experience a rare moment of pride. “When we found out that we were one of the first shows to be bought by Apple, Reese and I both had this pinch-me moment,” she says.
“The first women to help launch a network as actors and producers, having a beautiful piece of that pie that we really earned and deserved. We had a big toast to that.” And, of course, the Genius Bar perks aren’t bad either. “I have to get those Apple guys on my speed dial,” she jokes. “When we went to Cupertino for the launch of the show, I was chatting with one of them and said, ‘You know, I have a couple of things I’d like to talk to you about.’”
The January issue of InStyle Australia is on sale now.